Recording - Software:Plug-Ins - TDM

The AC1 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable. The...

All Channel G configurations feature calibration modes for music, post production, and models of the world’s most popular analog mixing desks. The Channel G interfaces seamlessly integrate with the Digidesign D-Control and D-Command control surfaces. The Channel G Surround Compressor / Limiter...

In addition to the standard threshold and ratio controls, the actual shape and response of the compression curve can be adjusted with the Knee and BITE controls. Flexible compression control is complimented with pre-filtering and post-compression EQ....

The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility. Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required. Other options include continuously adjustable...

With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ. Features: Shelving and Parametric EQ, High and Low pass filters with resonance control, Unique Peak-Slope-Dip Shelving EQ parameters, Variable parametric Q modes, Analog...

Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely...

The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics....

The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive. The ML4 multi-band...

Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible. Advanced notch filters allow the user to select...